This YouTube video features Clifton Hicks performing "Danville Girl," a song originally recorded by Dock Boggs in 1927. The description emphasizes learning the song from Boggs' Brunswick Records performance and offers access to lyrics and banjo tablature through various platforms like Patreon, Banjo Heritage, and Bandcamp. It also highlights Hicks' banjo heritage online course and musical releases on Spotify and iTunes. The video aims to share this piece of musical history and connect with an audience interested in traditional banjo music.
This YouTube video focuses on the banjo performance of "Cindy" by Clifton Hicks, who learned the tune from recordings and videos of John Jackson. The description highlights Jackson's guitar and banjo playing, his musical upbringing, and his life in Woodville and Fairfax, Virginia. Clifton Hicks provides multiple links to his Patreon, website, merchandise, and music streaming platforms for viewers interested in supporting his work or accessing tablature and courses.
This YouTube video features Clifton Hicks performing the song "Sugar Hill." The description indicates the song was learned from Matt Kinman and Josh Hayes in Watauga County, North Carolina in 2008. Kinman played the fiddle and Hayes played the banjo. The video also promotes various platforms for Clifton Hicks' music and banjo-related content, including Patreon, SubscribeStar, Banjo Heritage, Bandcamp, Spotify, iTunes, and PayPal donations. The hashtags provided are #cliftonhicks, #banjoheritage, #banjo, #bluegrass, #americana, and #432hz. There is no mention or demonstration of firearms or related equipment in the provided information.
This YouTube video features Clifton Hicks performing the song "Shaving a Dead Man," learned from Oscar Wright. The song is presented as a Black banjo song similar to "Georgie Buck," with the original lyrics lost. Hicks plays an 1888 Thompson & Odell "The Luscomb" banjo tuned to fG♯C♯G♯C♯, an alternative to the standard g♯BEBE tuning. The description also provides numerous links to the artist's Patreon, website, merchandise, streaming platforms (Bandcamp, Spotify, iTunes), and donation options, including PayPal and YouTube channel memberships. Hashtags like #cliftonhicks, #banjoheritage, #banjo, #bluegrass, and #americana are included.
This YouTube video, titled "On the Road Somewhere" and also known as "Got a Mule to Ride" and "Bottled in Bond," features Clifton Hicks performing a traditional bawdy blues banjo song. The description highlights the song's origins among railroad workers, hobos, and in Appalachian camps. It directs viewers to various platforms for tablature, online courses, merchandise, streaming music, and donations, including Patreon, Banjo Heritage, Bandcamp, Spotify, iTunes, and PayPal. The video's content is entirely focused on traditional folk music and banjo performance, with no mention or relevance to firearms.
This YouTube video features a musical performance of the tune "Old Coon Dog" (also known as "Turkey Buzzard") played on a late 19th-century Cubley banjo. The artist, Clifton Hicks, emphasizes a traditional playing style and offers various ways for viewers to support his work and access related content, including tablature, online courses, and merchandise. The video is tagged with musical genres like banjo, bluegrass, and Americana, along with a mention of 432Hz tuning.
This YouTube video, titled 'Walking Cane' and featuring Matt Kinman, appears to be a musical performance, likely focused on banjo music. The description heavily emphasizes support for the artist through Patreon, SubscribeStar, Bandcamp, and direct donations. It also promotes online courses, forums, and merchandise related to 'Banjo Heritage'. The inclusion of Spotify and iTunes links further confirms the content is music-based. The hashtags associated with the video (#cliftonhicks, #banjoheritage, #banjo, #bluegrass, #americana, #432hz) reinforce this musical theme, indicating a focus on bluegrass and Americana genres.
This YouTube video features Clifton Hicks playing "Old Coon Dog" (Turkey Buzzard) on an 1880s Cubley banjo. The description highlights the banjo's cheap nature, unusual features contributing to an interesting sound, and the rich character developed over 140 years of use. The video also promotes various platforms for accessing exclusive content, courses, merchandise, and music by Clifton Hicks, including Patreon, Banjo Heritage, Bandcamp, Spotify, iTunes, and PayPal.
This video features Clifton Hicks playing a gourd banjo with a song titled "Muddy Road." The description emphasizes Clifton Hicks' presence on Patreon, SubscribeStar, and Bandcamp for exclusive content, tablature, and music streaming. It also highlights his Banjo Heritage online course and merchandise. The video is clearly focused on banjo music and performance, with no mention or implication of firearms.
This YouTube video features a performance of the song "Black Velvet Band" on an 1867 Dobson banjo. The description highlights the artist's presence on platforms like Patreon, SubscribeStar, and Bandcamp for tablature, courses, music streaming, and merchandise. It also lists his Spotify and iTunes artist pages, along with a PayPal donation link and YouTube membership option. The video uses hashtags related to the artist and musical genres.
This YouTube video features Clifton Hicks playing the song "Buffalo," also known as "Roustabout" or "Hop High." Hicks clarifies the song's origins, attributing it to Elizabeth Cotten and Dink Roberts of North Carolina, and dispels the misattribution of "Roustabout" as the original title. He also touches on historical context, mentioning the sighting of bison by John Smith and their eradication. The video highlights the specific banjo tuning used (eAEG♯B) and promotes various platforms for accessing tablature and other content, including Patreon, Banjo Heritage, and Bandcamp. The overall focus is on traditional banjo music and its historical roots.
This video showcases the creation of a homemade fretless banjo, built by the creator in 2018. The description highlights the unique construction, featuring a 19th-century oak dry measure as the banjo's pot, reinforced with iron straps. While not considered the creator's best work, it is noted for its interesting construction and pleasing sound. The description also includes extensive promotional links for the creator's Patreon, website, merchandise, and streaming music platforms.
