This video appears to be a behind-the-scenes look at a project or performance related to 'Old Leatherstocking' and Clifton Hicks. The description heavily promotes Clifton Hicks' music, merchandise, and various platforms like Patreon, SubscribeStar, Bandcamp, Spotify, and iTunes, all focused on banjo music, old-time music, bluegrass, folk, country, blues, roots music, and Americana. There is no mention of firearms, ammunition, manufacturers, or related topics.
This video appears to be a music performance or related content, as indicated by the title 'Copper WRECKS Smudge' and the extensive links to music platforms like Spotify, iTunes, and Bandcamp, as well as merchandise and fan support options. The artist, Clifton Hicks, is prominently featured, along with hashtags related to banjo music, old-time music, bluegrass, folk, country, blues, and roots music. There are no indications of firearms being discussed or shown in the provided title and description.
This YouTube video features a clawhammer banjo lesson on the tune "The Dying Soldier" (also known as "Brother Green"). The instructor, Clifton Hicks, learned the song from a recording by Rev. Buell Kazee. He specifies his instrument as a 1940s Bacon "Belmont" banjo and mentions its tuning (fCFAC ~ gDGBD). The description also includes numerous links to his Patreon, SubscribeStar, Bandcamp, merchandise store, Spotify, iTunes, PayPal, Venmo, and YouTube memberships.
This YouTube video features Clifton Hicks performing "Two White Horses," a song learned from a 1949 John Lee Hooker recording. The description highlights the song's similarity to Dock Boggs' "Rub Alcohol Blues" and its tuning to "False Hearted Lover's Blues." The video's description heavily promotes Hicks' online presence, including Patreon, SubscribeStar, Bandcamp, merch store, Spotify, iTunes, PayPal, Venmo, and YouTube channel memberships, all under the "Banjo Heritage" umbrella.
This YouTube video features Clifton Hicks performing a rendition of "False Hearted Lover's Blues," a song originally recorded by Dock Boggs in 1927. Hicks notes that the melody is derived from "Hustling Gamblers," also known as "Country Blues," and mentions other artists who have recorded notable versions, including Doc Watson, Ralph Stanley, Levon Helm, Riley Baugus, and Hank III. Hicks plays an 1888 Thompson & Odell "The Luscomb" banjo tuned to f♯DGAD. The description also provides links to various platforms where viewers can support the artist and access his music, including Patreon, SubscribeStar, Bandcamp, and Spotify.
This YouTube video focuses on the song "You Shall Be Free," specifically addressing a controversy surrounding its lyrics and the historical context of its recordings. The creator clarifies a misinterpretation of lyrics by "dusttodigital" and the "New York Times," asserting that the original lyrics from the 1928 Bill & Belle Reed recording do not reference lynching but rather traditional maize agriculture. The video highlights the original recording and mentions a later version by Sonny Terry, Woody Guthrie, and Lead Belly. It also promotes the creator's Patreon, merchandise, and other social media platforms.
This video showcases an early American gourd banjo handmade by the creator. It features performances of traditional tunes like 'Johnson Boys' and 'Hook and Line,' learned from notable old-time musicians. The description provides links to the creator's Patreon, Bandcamp, Spotify, iTunes, Venmo, PayPal, and merch site, highlighting their involvement in preserving banjo heritage and traditional Appalachian music. The content focuses on historical musical instruments and performance.
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