This video features Clifton Hicks demonstrating various old-time banjo playing techniques, including clawhammer, overhand, two-finger, and thumb-lead styles. The content delves into the history and anthropology of this musical tradition, referencing figures like Roscoe Holcomb and exploring roots in southern Appalachian mountain music, early minstrel shows, and Afro-Caribbean influences. It also touches upon related musical traditions like Cajun, zydeco, and indigenous North American music. The video offers a close-up view of the banjo and its playing styles, with links to the artist's Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal for further engagement and support.
This YouTube video, titled "Pretty Fair Damsel - Clawhammer Banjo Lesson (Morgan Sexton, Clarence Ashley)", focuses on teaching the clawhammer banjo style. The description highlights learning the tune "Pretty Fair Damsel" from recordings by Morgan Sexton and Tom Ashley, with a specific tuning (gCGCD). It also mentions various banjo playing styles, historical influences like minstrel shows and Afro-Caribbean traditions, and lists numerous influential old-time musicians. The content appears to be educational for banjo players interested in traditional Appalachian music and its historical roots.
This YouTube video, titled "Clawhammer Banjo Techniques 1", focuses on traditional down-picking techniques for the five-string banjo. The video is part one of a series and demonstrates techniques using a banjo tuned to gDGCD. The opening music features the tune "Cluck, Old Hen" in the same tuning. The description includes links to the creator's Patreon, website, Bandcamp, and PayPal, along with several relevant hashtags.
This YouTube video focuses on traditional percussion techniques for the 5-string banjo, featuring Clifton Hicks. It delves into methods like up-picking, up-stroke, and Seeger style playing. While the title and description heavily emphasize banjo music and heritage, there are no mentions of firearms, ammunition, manufacturers, or related topics. The content is purely musical instruction.
This video demonstrates how to string and play a guitar in the style of old-time banjo playing, specifically referencing the techniques of Roscoe Holcomb. The tutorial covers two distinct tunings: DADGAD and GGDGBD, showcasing an 'O.G. east Kentucky-style' approach. The description also includes numerous links for supporting the artist, purchasing music, and merchandise, indicating a focus on music and cultural heritage preservation.
This video delves into the historical recreation of early gourd banjos, exploring various playing styles including overhand, clawhammer, two-finger, and thumb-lead. It touches upon traditional Southern Appalachian mountain music, minstrel show techniques, and broader historical and anthropological aspects of music. The description also references influential banjo players and related musical traditions from American folk and Afro-Caribbean roots, aiming to provide a comprehensive look at the instrument's evolution and cultural significance.
This YouTube video features Clifton Hicks demonstrating and explaining the traditional 5-string banjo techniques of "fanning the neck" and "walking the fingerboard." The description provides links to his Patreon for banjo heritage content, merchandise, Bandcamp, Spotify, iTunes, Venmo, and PayPal, highlighting his musical career and fan engagement platforms.
This YouTube video, titled 'Banjo #14 Show & Tell!', focuses on the history and techniques of playing the banjo, particularly within traditional Appalachian mountain music and early minstrel show traditions. It delves into various playing styles such as overhand, clawhammer, two-finger, and thumb lead, alongside a deep dive into the historical and anthropological roots of the music. The description lists numerous influential banjo players and related musical genres, suggesting a comprehensive exploration of old-time and folk music traditions. While the title mentions 'Banjo', there is no indication of firearms content.
This video delves into the world of banjo building and playing, offering demonstrations of various techniques such as overhand, clawhammer, and two-finger styles. It explores the historical and cultural roots of this traditional instrument, touching upon southern Appalachian mountain music, minstrel show techniques, and influences from Afro-Caribbean and West African traditions. The description also lists numerous influential banjo players and related musical genres, providing a rich context for the subject matter. While focused on music, the video's comprehensive approach to a traditional craft and its historical context could appeal to those interested in heritage and Americana.
This YouTube video is a Q&A session focused on the banjo, specifically addressing how to find new songs to learn and techniques to avoid a "typewriter banjo" sound. It also provides links to the creator's Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal for fans to support their music and access their work. The content is entirely music-focused and does not involve firearms.
This YouTube video, titled 'Learning by Ear + "Wrong" Banjo Playin', explores banjo playing techniques and the concept of 'right' versus 'wrong' approaches to the instrument. The creator, Clifton Hicks, shares his music and encourages support through platforms like Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal. The content appears to be an instructional or discussion-based video focused on musical learning and banjo performance, with no mention of firearms or related topics.
This YouTube video, titled '- Hiram Hubbard', focuses entirely on old-time banjo music. The description provides extensive links to the artist's music on platforms like Bandcamp, Spotify, and iTunes, as well as payment options via Venmo and PayPal. It details various banjo playing styles including overhand, clawhammer, and two-finger techniques, alongside discussions of traditional Appalachian mountain music, early minstrel show techniques, and historical/anthropological aspects of the genre. The description also mentions influences from blues, waltz, Tin Pan Alley, and even Afro-Caribbean and West African traditions, as well as specific musical artists and traditions like Métis, Creole, Melungeon, and indigenous North American music. There are no firearms, calibers, manufacturers, topics, or gear related to firearms mentioned in the title or description.
