This CN Live episode features Chuck Holton discussing his findings from a trip to Paris, focusing on the topics of refugees, terrorism, and the controversial concept of "no go" zones. The video highlights the intersection of these societal issues with national security and public safety. It is part of the NRATV programming lineup, suggesting a potential discussion of relevant policy or societal implications that may resonate with firearm owners and Second Amendment advocates. New episodes are broadcast Monday through Thursday.
This video discusses concerns about potential executive actions by President Obama that could restrict firearm access for law-abiding citizens. The content argues that such measures would not effectively prevent terrorist attacks like those in Paris and San Bernardino. The description also includes links to various YouTube playlists, including handgun reviews, rifle and shotgun reviews, Second Amendment advocacy, gear reviews, and range tests, as well as social media links.
This video from the VSO Gun Channel discusses the Paris terrorist attacks and draws lessons for America. The description emphasizes VSO's role as an educational resource for responsible gun ownership and safety, promoting objective content based on testing and evaluation. The channel is a production of VSO Media LLC and VSOrdnance LLC. They state they are not in the business of selling firearms and do not allow manufacturers to influence their opinions or access their audience. The video focuses on providing common-sense education, particularly for younger audiences.
This YouTube video, titled "Paris Attacks: The Lessons 2B Learned," appears to be a discussion or analysis related to the Paris attacks, likely exploring potential takeaways or lessons from the event. The description indicates it's a platform for discussing hobbies, tactics, and opinions, welcoming collectors, preppers, and sportsmen. It also provides links to the creator's social media profiles on Instagram, Facebook, and Twitter, and credits Madison Stegall for the original score and Daniel Greenfield for the artwork.
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