This YouTube video is a comprehensive clawhammer banjo lesson by Clifton Hicks, focusing on the arrangement of the traditional folk song "Death and the Lady." Hicks details the song's history and performance techniques, referencing Norma Waterson & Martin Carthy's recording. He demonstrates both traditional two-finger (thumb lead) and overhand (clawhammer) banjo styles, providing context on historical techniques and musical traditions. The description includes links to his Patreon, SubscribeStar, Bandcamp, merchandise, and other platforms for supporting his work.
This video delves into the intricate process of carving a V-profile banjo neck, offering a detailed woodworking tutorial. While the title focuses on banjo neck construction, the description expands significantly to cover a wide spectrum of old-time banjo music, including various playing styles (overhand, clawhammer, two-finger, thumb lead, frailing, stroke), historical influences (southern Appalachian mountain hoedown, early minstrel shows), and a deep dive into related musicology, folklore, and cultural traditions. It mentions numerous influential banjo players and connects the music to Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music. The video aims to educate viewers on the history and techniques of traditional banjo music and its cultural roots.
This YouTube video features Clifton Hicks playing "Hand Me Down My Old Suitcase" on the banjo. The description delves into various banjo playing styles including overhand, clawhammer, two-finger, and thumb lead. It also explores historical and anthropological aspects of banjo music, touching upon Southern Appalachian mountain music, minstrel shows, and influences from Afro-Caribbean and West African traditions. The video lists numerous influential banjo players and traditions like Melungeon and indigenous North American music. Links for supporting the artist via Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal are provided.
This video showcases "Morphine" performed by Clifton Hicks, featuring close-up, both-hands playing of the banjo. The description highlights various old-time banjo techniques such as overhand, clawhammer, two-finger, thumb lead, frailing, and stroke styles. It also delves into traditional southern Appalachian mountain hoedown and early minstrel show techniques, with references to history, anthropology, folklore, research, and musicology. The content touches upon breakdowns, blues, waltz pieces, Tin Pan Alley, Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. A comprehensive list of influential banjo players and related artists is provided, emphasizing mountain music and southern culture.
This video features Clifton Hicks performing the song "Black Velvet Band" on the banjo, learned from a recording of Luke Kelly. The description highlights various banjo playing techniques such as overhand, clawhammer, two-finger, and thumb lead styles, alongside discussions of traditional Southern Appalachian music, minstrel show techniques, and their historical and anthropological roots. It also references diverse musical traditions, including Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music, as well as specific musicians and banjo players. The content is focused on old-time and folk music traditions.
This YouTube video features a detailed examination and demonstration of a J.B. Schall "Imperial" Banjo from the 1880s-1890s. The content delves into various banjo playing techniques, including overhand, clawhammer, two-finger, and thumb lead styles, as well as traditional Southern Appalachian mountain hoedown and early minstrel show techniques. The description also highlights historical, anthropological, and musicological aspects, referencing different musical genres and cultural traditions from Afro-Caribbean to indigenous North American music. It lists a significant number of influential old-time and folk musicians and artists, providing context for the instrument's historical significance.
This video delves into the historical recreation of early gourd banjos, exploring various playing styles including overhand, clawhammer, two-finger, and thumb-lead. It touches upon traditional Southern Appalachian mountain music, minstrel show techniques, and broader historical and anthropological aspects of music. The description also references influential banjo players and related musical traditions from American folk and Afro-Caribbean roots, aiming to provide a comprehensive look at the instrument's evolution and cultural significance.
This video explores the world of old banjos, offering guidance on where to buy them and how much to expect to spend. It delves into various playing styles, including overhand, clawhammer, two-finger, and thumb-lead techniques, alongside traditional Southern Appalachian and early minstrel show methods. The content also touches upon the historical and anthropological aspects of the banjo, its connection to blues, waltz pieces, Tin Pan Alley, Afro-Caribbean and West African music, and mentions specific traditions like Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American music. A comprehensive list of influential banjo players and related musicians is provided.
This YouTube video, titled "Crying Shame" by (gCGCC) and featuring Clifton Hicks, is a deep dive into the world of traditional banjo music. It showcases various banjo playing styles including overhand, clawhammer, two-finger, thumb lead, and frailing. The content explores historical techniques from the southern Appalachian mountains and early minstrel shows, touching upon genres like hoedown, blues, and waltz pieces. The description also references influences from Afro-Caribbean, West African, Cajun, zydeco, Métis, Creole, Melungeon, and indigenous North American music traditions. The video also lists a comprehensive array of influential banjo players and artists, indicating a focus on the history, anthropology, folklore, research, and musicology of the instrument.
This YouTube video features Clifton Hicks playing "Boil them Cabbage Down" on his new banjo, offering a "Banjo Q&A." The description delves into a rich history of old-time banjo playing, detailing various techniques such as overhand, clawhammer, two-finger, and thumb lead styles. It also touches on traditional Southern Appalachian mountain music, early minstrel show techniques, and broader themes of history, anthropology, folklore, and musicology. The content explores diverse musical influences including breakdowns, blues, waltz pieces, Tin Pan Alley, Afro-Caribbean and West African music, Cajun and zydeco references, and Métis, Creole, Melungeon, and Indigenous North American music traditions. The description lists a vast array of influential banjo players and musicians, emphasizing the roots of American folk and mountain music.
This video delves into the world of banjo building and playing, offering demonstrations of various techniques such as overhand, clawhammer, and two-finger styles. It explores the historical and cultural roots of this traditional instrument, touching upon southern Appalachian mountain music, minstrel show techniques, and influences from Afro-Caribbean and West African traditions. The description also lists numerous influential banjo players and related musical genres, providing a rich context for the subject matter. While focused on music, the video's comprehensive approach to a traditional craft and its historical context could appeal to those interested in heritage and Americana.
This video features a traditional American folk music performance on a two-finger banjo, with an instrumental piece. The artist, Clifton Hicks, highlights his playing style, specifying 'thumb lead / index lead.' Links are provided for his Patreon, Bandcamp, Spotify, iTunes, Venmo, and PayPal, indicating this is a promotional piece for his music.
