This YouTube video offers a two-finger banjo lesson for the folk song "Shortnin' Bread." The instructor, Clifton Hicks, uses an 1888 Thompson & Odell "The Luscomb" banjo and discusses its tuning. The description also provides historical context for the song, mentioning its publication in 1900 and potential origins in a pre-existing black folk song. The video promotes various platforms for exclusive content, music, and community engagement, including a website, Patreon, SubscribeStar, Bandcamp, Spotify, and iTunes, as well as donation links.
This YouTube video is a clawhammer banjo lesson focusing on the song "Unquiet Grave" (also known as "Cold Blows the Wind"). The instructor, Clifton Hicks, explains an original arrangement for two-finger banjo in 3/4 time, learned from Hedy West and Doc Watson. The video includes lyrics and provides a link to TABs via Patreon. It also features links to merchandise, Bandcamp, and social media platforms.
This video features Old Leatherstocking performing the song "Cold Blows the Wind," also known as "Unquiet Grave" (Child 78, Roud 51). The performance is inspired by recordings from Hedy West and Doc Watson. The description includes links to the artist's Patreon, merchandise, Bandcamp, PayPal, Spotify, iTunes, and SubscribeStar, indicating a focus on musical content and artist support.
This YouTube video provides a banjo lesson on the traditional tune "Love Somebody," also known as "Soldier's Joy." The instructor, Clifton Hicks, demonstrates two traditional approaches in different tunings, including a unique two-finger arrangement in gCGCE. The description highlights the tune's historical significance, particularly its preference among black musicians under the title "Love Somebody." The video also includes links to the instructor's various platforms for tabs, merchandise, and music.
This YouTube video is a comprehensive clawhammer banjo lesson by Clifton Hicks, focusing on the arrangement of the traditional folk song "Death and the Lady." Hicks details the song's history and performance techniques, referencing Norma Waterson & Martin Carthy's recording. He demonstrates both traditional two-finger (thumb lead) and overhand (clawhammer) banjo styles, providing context on historical techniques and musical traditions. The description includes links to his Patreon, SubscribeStar, Bandcamp, merchandise, and other platforms for supporting his work.
This YouTube video features Clifton Hicks performing the traditional folk song "Death and the Lady" on an 1888 Thompson & Odell "The Luscomb" banjo, tuned to eCFGC at 432 Hz. Hicks explains he learned the song from Norma Waterson & Martin Carthy and notes its printing in England in 1778. The video includes lyrics and promotes various platforms for supporting Hicks' work, including Patreon, Bandcamp, and merchandise.
This YouTube video offers a banjo lesson on the song "Sammie, Where Have You Been So Long," inspired by the 1927 recording of Dock Boggs. The instructor, Clifton Hicks, demonstrates his original two-finger picking technique, differing from Boggs' three-finger style. The description also includes various links for supporting the creator through Patreon, SubscribeStar, Bandcamp, merchandise, and direct payments, as well as links to his music on Spotify and iTunes. The video focuses on banjo instruction and performance.
This YouTube video offers a traditional banjo lesson on an original arrangement of "Cotton-Eyed Joe." The instructor, Clifton Hicks, demonstrates two distinct playing styles: two-finger (thumb-lead) and overhand (clawhammer). The lesson utilizes an early 1900s S.S. Stewart "Amateur" banjo tuned to f# DGAD. The description also provides links for obtaining the tablature, supporting the creator financially, and accessing their music on various platforms, highlighting a focus on banjo heritage, old-time music, and related folk traditions.
This YouTube video provides a two-finger banjo lesson for the song "I Don't Love Nobody." The instructor, Clifton Hicks, details the tuning (gDGBD relative, fCFAC actual) and traces the song's history back to an 1896 printing, noting its connection to Woody Guthrie's "I Ain't Got Nobody." The description also references Elizabeth Cotten and Grandpa Jones as other artists who performed this piece, and thanks Jerron Paxton and Evan Collins for their historical and technical insights. Various links are provided for supporting the banjo heritage project, including Patreon, Bandcamp, merchandise, and music streaming platforms.
This video showcases a unique, unmarked banjo from the 1800s, possibly made by HC Nelson. The instrument features sand-shaded hardwood inlays depicting a sun and crescent moon on the peghead. The creator demonstrates its sound and playability, noting a slight neck warp. The banjo is tuned to gCGCC with medium-light nylon strings, including a wound 4th string. The video references various banjo playing styles like overhand, clawhammer, and two-finger, as well as historical and folk music traditions from Appalachia and beyond, with mentions of numerous influential old-time musicians and styles.
This YouTube video features a close-up performance of the traditional banjo tune "Undone in Sorrow." The description highlights that the song was composed by Ola Belle Reed and learned from recordings by both Ola Belle Reed and Riley Baugus. The creator, Clifton Hicks, also provides links to his Patreon, merchandise store, Bandcamp, Spotify, iTunes, and PayPal, indicating a focus on promoting his music and supporting his banjo heritage work.
This video showcases a close-up performance of the traditional folk tune "Cluck Old Hen" on the banjo. It delves into various banjo playing techniques, including overhand, two-finger, and frailing styles, referencing their historical roots in southern Appalachian mountain music and early minstrel shows. The description also touches upon broader musical history, folklore, and influences from Afro-Caribbean, West African, Cajun, Zydeco, Métis, Creole, Melungeon, and indigenous North American traditions. A comprehensive list of influential banjo players and musicians is provided, highlighting the rich heritage of this musical style.
