This YouTube video features Clifton Hicks performing "Danville Girl," a song originally recorded by Dock Boggs in 1927. The description emphasizes learning the song from Boggs' Brunswick Records performance and offers access to lyrics and banjo tablature through various platforms like Patreon, Banjo Heritage, and Bandcamp. It also highlights Hicks' banjo heritage online course and musical releases on Spotify and iTunes. The video aims to share this piece of musical history and connect with an audience interested in traditional banjo music.
This video delves into the historical origins and evolution of the song "Shaving a Dead Man," also known as "Shave a Dead N*****" and recently "Protect the Innocent." The creator discusses the practice of undertakers shaving deceased individuals, suggesting the song's roots in this practice, particularly within Black Southern communities as a banjo tune. The video highlights the problematic nature of the modern title "Protect the Innocent" and promotes various platforms for supporting the creator's banjo heritage work, including Patreon, Bandcamp, and other merchandise and streaming services.
This video showcases a "Marching Through Georgia" recording played on an antique Edison Wax Cylinder Phonograph. The content focuses on historical audio technology and its playback, with links provided for Patreon support, banjo heritage courses, merchandise, streaming music, and donations. The video does not feature firearms, ammunition, or related topics.
This YouTube video, titled "Why Dave Mustaine Was Kicked Out of Metallica," delves into the history of the band Metallica and its former guitarist, Dave Mustaine. While the title and description do not mention any firearms, the channel promotes a broader content scope that includes podcasts and the Shawn Ryan Show, which often features discussions on various topics. Based solely on the provided information, no firearms-related content can be inferred.
This video explores the historical journey of the banjo, tracing its origins from West Africa and the Caribbean to its prominence in the 19th-century commercial music scene. It highlights a significant archaeological find from an 18th-century Maryland plantation and touches upon the current landscape of traditional banjo culture. The description also includes numerous links to support the creator, Clifton Hicks, through Patreon, merchandise, courses, and streaming services.
This YouTube video centers on Clifton Hicks introducing the "The Harry Smith B-Sides" compilation album from Dust-to-Digital. The content highlights Americana, music history, blues, folk, and country music, with a specific focus on 78 RPM records and banjo heritage. The description provides extensive links to the creator's various platforms, including Patreon, website, Bandcamp, Spotify, iTunes, and donation channels, all related to his music and banjo-related online courses and merchandise.
This video appears to be a critique of Dust to Digital's facsimile release of Harry Smith's Anthology of American Folk Music. The uploader, Clifton Hicks, promotes their own "Banjo Heritage" brand through various platforms like Patreon, SubscribeStar, Bandcamp, and their website. They also mention their music is available on Spotify and iTunes, and accept donations via PayPal and Venmo. The video touches on themes of cultural heritage, traditional music, music history, and country music, with a specific focus on banjo music and a mention of 432hz tuning.
This YouTube video features DJ Deadmau5 discussing his first experience with rock and roll music, specifically mentioning Tommy Lee. The description includes various promotional links for the Shawn Ryan Show and Vigilance Elite, encouraging channel subscriptions and Patreon support. It also provides links to the podcast on Apple and Spotify and social media handles.
This video discusses the perceived commercialization and modern origins of old-time music, tracing its roots to the 1960s urban folk revival in New York City. The creator argues that elements like jam circles, judging panels, tablature, and workshops are modern constructs within the old-time music subculture. The video primarily focuses on music history and cultural commentary, with a significant amount of promotional content for the creator's music and merchandise.
This video features Clifton Hicks discussing the complexities and controversies surrounding "racist" folk songs, particularly within the context of contemporary old-time music. The description highlights a perceived lack of cultural literacy among enthusiasts of this genre. Hicks provides numerous links to his platforms for support, music, and merchandise, indicating a focus on his artistic and intellectual contributions.
This video features Clifton Hicks playing "Sammie, Where Have You Been So Long," a song learned from a 1927 Dock Boggs recording. Hicks highlights Boggs' transition from a juke joint style to his characteristic three-finger picking. The performance utilizes an 1888 Luscomb banjo tuned in 'Hook and Line' tuning. The description also provides extensive links to Hicks' Patreon, Bandcamp, merchandise, and social media, alongside a comprehensive list of related musical artists and genres, emphasizing banjo heritage and old-time music.
This YouTube video provides a two-finger banjo lesson for the song "I Don't Love Nobody." The instructor, Clifton Hicks, details the tuning (gDGBD relative, fCFAC actual) and traces the song's history back to an 1896 printing, noting its connection to Woody Guthrie's "I Ain't Got Nobody." The description also references Elizabeth Cotten and Grandpa Jones as other artists who performed this piece, and thanks Jerron Paxton and Evan Collins for their historical and technical insights. Various links are provided for supporting the banjo heritage project, including Patreon, Bandcamp, merchandise, and music streaming platforms.
